Beginning Guitar Ensemble Music

Most music educators ackknowledge that ensemble is an essential component of any study, providing benefits like:

  • Concentration and reading.
  • Musical expression. 
  • Rhythmic Development. 
  • Following a conductor. 
  • Community Building and Teamwork. 
Classroom Guitar Series

The Shearer Method: Classroom Guitar Series takes a comprehensive and integrative approach to guitar study that includes solos, chords/strumming, guitar harmony, sight reading, and ensemble.  All content is synchronized to the method's 2 -year sequence and thus, skills are learned gradually and developmentally.

Classroom Guitar Year 1 Sequence
Right-hand Technique
Left-hand
Notes Learned
UNIT I
UNIT I
UNIT I
p free stroke.
Single notes on ③ and ②. Dedicated L.H. fingering
UNIT II
UNIT II
UNIT II
i-m dyads.
  • Dyads on ③-② & ②-①
  • 3rd finger at III
UNIT III
  • Dyads on ③-② & ②-①
  • 3rd finger at III
UNIT III
Alternate i-m dyads with p.
UNIT IV
UNIT IV
UNIT IV
p,i,m arpeggio.
Simple 3-note chords
UNIT V
UNIT V
UNIT V
i-m-a triads.
  • Triads on ④-③-② & ③-②-①
  • common tones
Alternate i-m-a triads with p
  • Triads on ④-③-② & ③-②-①
  • common tones
p,i,m,a arpeggio
Guitar Ensemble: Year 1

For all 5 Units in Classroom Guitar Year 1, there are 12 developmental ensembles which are limited to:

  • Notes on strings ④ ,③, ②, & ① and open strings ⑥ & ⑤.
  • Free stroke, for best estblishing habits of optimal muscle function:  alignment, mid-range positioningfollow through, and uniform direction of joint movement.

Free stroke on strings ⑥, ⑤, ④, ③, & ② is played p with i & m resting on ① (as necessary for R.H. support), and ① is played with m with p resting on a lower string (to support the hand).  For example:

Supplemental Ensembles

The following Year 1 ensembles and others—scores and parts— maybe downloaded for free at the Classroom Guitar Instructor's supplement, or may be purchased as a digital download at the Aaron Shearer Foundation bookstore.

Stop and Go I

Two essential skills for any ensemble are accurately counting rhythms and playing with synchronized articulation.   Beginning in Unit IV, the Stop and Go studies address just that.  Material is simple, accessible, while offering challenging rhythm and synchronized articulation.  Part ranges are:

String dampening with either right or left hands is suggested, but optional.

Stop and Go II

Stop and Go II applies eighth notes/rests from Unit V.   Group pre-reading of rhythms, one segment at a time, is strongly recommended.  Part ranges are:

Again, string dampening with either right or left hands is suggested, but optional.

Calypso

Calypso brings together a variety of technique: chords and arpeggio from Unit IV, and ↓↑ strumming patterns and eighth rhythms from Unit V.  In addition, the optional shaker part brings added percussion color.  Part ranges are:

Calypso chords

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