I, M, A and Triads
The “a” finger moves less independently than p,i, & m. Shearer introduces “a” with sympathetic motion, adding it to the already established m-ii free stroke.
Right-hand
The “a” finger moves less independently than p,i, & m. Shearer introduces “a” with sympathetic motion, adding it to the already established m-ii free stroke.
Sympathetic motion is the motion of the fingers to move together. When applied to an arpeggio, the action, or follow through, of one finger, pulls on the next finger in sequence.
To create the melody and accompaniment texture, give more dynamic stress to the melody and less to the accompaniment.
In Learning the Classic Guitar (1990), Shearer introduced one of his most important pedagogic ideas: the Four Principles of Efficient Musical Function.
Fingerings provide clues to organize both right-and left-hand movements when learning a piece of music. Music may include a sprinkling of fingerings
Темрява—Temryava (pronounced “tem-ye-vah,” meaning “darkness” in Ukrainian) is an intermediate level piece that features one-hand harmonics.
This is an arrangment of two traditional Scottish Tunes—Bottom of the Punch Bowl and My Nanie O (or When Bidden to the Wake) merged into one.
This Invention in E major is in open position and features slurring, rhythmic syncopation, pizzicato, glissandi, ponticello, and p golpe (tapping on the soundboard).
When Jesus Wept was originally composed as a canon (musical round) in 1770 by American composer William Billings. The setting here is two-voice/imitative and was arranged in response to the George Floyd death on May 25, 2020.
The skill of playing loudly is a vital one for our instrument based on the comparative overall dynamic range of the classical guitar.
Remembrance is a p,i,a,i,a,i arpeggio study. Before playing, make sure you’ve mastered free-stroke alternation on two strings. This requires two important techniques: the sympathetic and opposed finger motions.
The p,i,m,a,m,i arpeggio works most efficiently when organized as two sympathetic motions: i,m,a followed by m-i, with an opposed a,m in between.
Free-stroke position is the foundational position for the right hand. On average, guitarists use free stroke about 80% of the time when playing solo.
Scale practice develops two essential right-hand skills: finger alternation on a single string and finger alternation involving string crossings.
An excellent way to begin developing the alternation of a, is with the p,i,m-a,i arpeggio. It’s organized exactly the same as p,i,m,i, only a is coupled with m.
Daybreak is an p,i,m arpeggio etude originally composed for the GFA magazine, Prodigies. The article demonstrates how the technique of sympathetic motion as well as approaches of pre-reading and visualization are applied. An informative video accompanies the article.